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独木舟 Canoe

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21#
发表于 2018-10-15 11:38 | 只看该作者
潘学峰 发表于 2018-10-14 20:49
我觉得他都没懂整首诗歌的情绪...

我们不可要求过自我

有同剧务

他不必懂戏,不必会演戏,

甚至不必会看戏

剧务门槛最低甚至可以是:

能圆个儿场儿

打个儿场儿

拉个儿场儿

助个儿场儿

让大家都,都是高兴来,忘记走,
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22#
发表于 2018-10-15 15:35 | 只看该作者
李世纯 发表于 2018-10-15 11:38
我们不可要求过自我

有同剧务

即可
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23#
 楼主| 发表于 2018-10-16 18:00 | 只看该作者
李世纯 发表于 2018-10-14 19:17
红色部分错译,译文与原文上句之句意衔接受阻

建议了解一下诗人及这首诗的背景。
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24#
发表于 2018-10-18 11:51 | 只看该作者
朱峰 发表于 2018-10-16 18:00
建议了解一下诗人及这首诗的背景。

its written information seems not so much a poem as a letter
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25#
发表于 2018-10-18 11:51 | 只看该作者
朱峰 发表于 2018-10-16 18:00
建议了解一下诗人及这首诗的背景。

its written information seems not so much a poem as a letter
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26#
发表于 2018-10-18 12:00 | 只看该作者
李世纯 发表于 2018-10-18 11:51
its written information seems not so much a poem as a letter

some letter full of sentiment
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27#
发表于 2018-10-18 12:04 | 只看该作者
https://www.poemhunter.com/keith-douglas/biography/

Douglas described his poetic style as 'extrospective'; that is, he focused on external impressions rather than inner emotions. The result is a poetry which, according to his detractors, can be callous in the midst of war's atrocities. For others, Douglas's work is powerful and unsettling because its exact descriptions eschew egotism and shift the burden of emotion from the poet to the reader. His best poetry is generally considered to rank alongside the twentieth-century's finest soldier-poetry.

In his poem, "Desert Flowers" (1943), Douglas mentions World War I poet Isaac Rosenberg claiming that he is only repeating what "Isaac" has already written.

Early Life

Douglas was born in Tunbridge Wells, Kent, the son of Capt. Keith Sholto Douglas, MC (retired) and Marie Josephine Castellain. His mother became unwell and collapsed in 1924 of encephalitis lethargica, never to fully recover. By 1926, the chicken farm set up by his father had collapsed. Douglas was sent to a preparatory school (Edgeborough School in Guildford) the same year. The family became increasingly poor, and his father had to leave home in early 1928 to seek better employment in Wales. The persistent ill-health of Marie led to the collapse of the marriage of his parents by the end of that year, and his father remarried in 1930. Douglas was deeply hurt by his father not communicating with him after 1928, and when Capt. Douglas did write at last in 1938, Keith did not agree to meet him. In one of his letters written in 1940 Douglas looked back on his childhood: "I lived alone during the most fluid and formative years of my life, and during that time I lived on my imagination, which was so powerful as to persuade me that the things I imagined would come true."

Education

Marie Douglas faced extreme financial distress, so much so that only the generosity of the Edgeborough headmaster Mr. James permitted Douglas to attend school in 1930–1931, his last year there. Douglas sat in 1931 for the entrance examination to Christ's Hospital, where education was free and there was monetary assistance to cover all other costs. He was accepted, and joined Christ's Hospital, near Horsham, in September 1931, studying there till 1938. It was at this school that his considerable poetic talent and artistic ability were recognised. So was his cavalier attitude to authority and property, which nearly led to expulsion in 1935 over a purloined training rifle. In surprising contrast, he excelled as a member of the school's Officers Training Corps, particularly enjoying drill, although he was philosophically opposed to militarism.

University

After his bruising brush with authority in 1935, Douglas settled down to a less troubled and more productive period at school, during which he excelled both at studies and games, and at the end of which he won an Open Exhibition to Merton College, Oxford in 1938 to read History and English. The well-known poet Edmund Blunden was his tutor at Merton, and regarded his poetic talent highly. Blunden sent his poems to T. S. Eliot, the doyen of English poetry: Eliot found Douglas impressive. Douglas became the editor of The Cherwell, and one of the poets anthologised in the collection Eight Oxford Poets (1942), although by the time that volume appeared he was already in the army. He does not seem to have been acquainted with somewhat junior but contemporary Oxford poets like Sidney Keyes, Drummond Allison, John Heath-Stubbs, Philip Larkin, etc. who would make names for themselves.

At Oxford, Douglas entered a relationship with a sophisticated Chinese student named Yingcheng. Her own sentiments towards him were less intense, and she refused to marry him. Yingcheng remained the unrequited love of Douglas's life and the source of his best romantic verse, despite his involvements with other women later, most notably Milena Guiterrez Penya.

Military Service

Within days of the declaration of war he reported to an army recruiting centre with the intention of joining a cavalry regiment, but like many others keen to serve he had to wait, and it was not until July 1940 that he started his training. On 1 February 1941 he passed out from Sandhurst, the British Army officer training academy, and was posted to the Second Derbyshire Yeomanry at Ripon. He was shipped to the Middle East in July 1941 and transferred to the Nottinghamshire (Sherwood Rangers) Yeomanry. Posted initially at Cairo and Palestine, he found himself stuck at Headquarters twenty miles behind El Alamein as a camouflage officer as the Second Battle of El Alamein began. At dawn on 24 October 1942, the Regiment advanced, and suffered numerous casualties from enemy anti-tank guns. Chafing at inactivity, Douglas took off against orders on 27 October, drove to the Regimental HQ in a truck, and reported to the C.O., Colonel E.O. Kellett, lying that he had been instructed to go to the front (luckily this escapade did not land him in serious trouble; in a reprise of 1935, Douglas got off with an apology). Desperately needing officer replacements, the Colonel posted him to A Squadron, and gave him the opportunity to take part as a fighting tanker in the Eighth Army's victorious sweep through North Africa vividly recounted in his beautiful memoir Alamein to Zem Zem, illustrated with his own drawings.

Death

Captain Douglas returned from North Africa to England in December 1943 and took part in the D-Day invasion of Normandy on 6 June 1944. He was killed by enemy mortar fire on 9 June, while the Regiment was advancing from Bayeux. The regimental chaplain buried him by a hedge near to where he died. His remains now lie in Tilly-sur-Seulles War Cemetery.

Keith Douglas's Works:

Selected Poems (Keith Douglas, J.C. Hall, Norman Nicholson) (1943)
Alamein to Zem Zem (1946), reprinted 1966
Collected Poems (1951), reprinted 1966
Selected Poems (Faber 1964)
The Complete Poems (1978), reprinted in 1987 and 1997
Alldritt, Keith. Modernism in the Second World War
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28#
发表于 2018-10-18 12:04 | 只看该作者
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29#
发表于 2018-10-18 12:05 | 只看该作者
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30#
发表于 2018-10-18 12:09 | 只看该作者
Probably no other poem conveys the feeling of forthcoming loss, in this subtle, beautiful and immobile way, as this poem written by Keith Douglas in the summer of 1940. In Oxford, where Douglas was studying, the harrowing sounds of the drums of impending war were starting to pound on the hearts and minds of the students. They all knew that their lives would soon be changed forever. Douglas presumably wrote this poem while idling near the Thames on a beautiful summer day. He tries with all of his senses to capture this magical, shared moment which, he is very well aware, may never return. But memory can elevate a fleeting moment's experience into something almost sacred, reproducing it into eternity. And this moment will live on, even when the voice is silenced, even when what remains is but a shadow or a shade. Keith Douglas was killed, at the age of 24 on the 09/06/1944, four years after the writing of this, alas, eerily prophetic poem. But the beauty and the poise of these words, scribbled on a sheet of paper, will always evoke that precious stillness of a moment locked in a cycle of eternal return.  

http://hellinakiss.blogspot.com/ ... -keith-douglas.html
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