英 诗《 from "The Book of Absence”》汉 译《 阙 如 札 记(摘 录)》
About This Poem“This is not poetry. This is a reading of the moment. Read it in the moment and pass on. Do not linger. Go. We don’t go to places. We go from places. We are dedicated to going, not staying. In going, we fade away. Consider my poetry as if you are walking down a road. Someone calls your name. You turn your head. There is nobody around. The road is deserted. Empty. You tell yourself somebody must have been there. But there is no one. Consider my poetry like that moment.” —Alireza Roshan, translated by Erfan Mojib and Gary Gach (相关原作文本,诗人有所附注:“这里所写,属各类实地、即兴、第一时间纪实读取,并非诗歌;本读取,能读进去,还要能读出来;可以一目而过,不必深究,否则,会失去自我。您可以做一假设,想象:读着我这诗歌,如同行走在某条路上;想象:有人喊您,可转过头去,您发现周边无人,路是‘空的’;想象:发现这路被人走过,但已经荒废。关于我这诗写主题立意,可以想象,就像您这假设一样,仿佛您走在某条路上那一景况。” ——阿里雷萨 · 罗斯汉;英译:埃尔凡 · 莫吉布,噶里 · 盖茨)
from "The Book of Absence”
—— by Alireza Roshan (IRAN / ~ )
阙 如 札 记(摘 录) —— 原 作 / 阿里雷萨 · 罗斯汉 ( 伊朗 / ~ )
—— 解 读 / 翻 译 - 李世纯 - 中国 长春 - 2022. 1. 20
一. 原 文 / 中 译 文 / 解 读
1.
The foot
that brought me to You
now
in a bread line
plays with a pebble
脚啊脚,你瞧你,
带我来你作坊里;
看——
面包不做,却把卵石踢!
2.
Missing someone
is a mother
who leaves the front door ajar
娘不念人,能留门?
3.
I want to open a door
onto a sea & a night
I want to open a door
onto you c
who are the sea & the night
啊——好想啊好想,
开扇门,给大海,
开扇门,给黑夜;
啊——开扇门,开扇门,
给大海,和黑夜 ... ...
4.
As the seasons change b
the plums
are replaced by persimmons
longing
by
longing
季节变不断,
期盼连期盼——
盼来李子盼柿子,
期盼接期盼。
5.
He told Adam
“Your fall is temporary
You’ll come back to me”
but Adam built a house
and called it home
亚当被告知:
“ 堕落是暂时,
你会回来的 ”
可亚当另置一房产,
把它叫家园。
6.
I’d wanted to be the wind
in my beloved’s hair
but am only a breeze
amidst gnarly shrubs
待她清风拂面,
却当虬丛一叹。
7.
Between me and you
I am a wall
Take me down
咱俩嘛,
我是墙,
带我下来吧。
二. 译 注 / 译 后 感:
a'. 首先,特别鸣谢:主要参考文献 a 主要参考文献 b 主要参考文献 c
a. 赞同有学者云:文化的相似性是人性相同的反映。看似本文七则体例、主题,无不雷同我国格言、成语、谚语、歇后语
b. 此处词义:象/如/同 ... ... 一样
c. 此处词义: 你们
d. 中外互译,归根结底——人文互译;一个单词、一个文字,无论中外,其真正含义、生命活力,不仅在专家学者的词典、时尚强大的百度,也不仅在词法、句法、语法,而更多体现在实地的、实践中的语言、语句、语境、篇章的字里行间;翻译要完美原意,更要完美传递;原意传递要完美,其载体修辞,修辞差异之切换,之对接,不可或缺
e. 本作译文尚有无奈数笔,期待更多诗友、译友积极参与,相互学习,共同提高
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